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Perfect
Classic PRO

Perfect Classic PRO

One day that makes your classic cleaner, faster and worth more

1 day

09:30 to 19:30 — and longer if the group still needs me.

3–8 masters

Or one-on-one. I also come to your salon with a group.

6+ months

This is an upgrade course. You should already be working with clients.

from €250

Euro or złoty. One-on-one costs the same as the course for three.

You already do manicures. So why this course?

Because most masters learn the sequence of steps and never learn the reasons behind them. Then a client comes back in ten days with a lifted coating and nobody knows why.

Your coatings lift

And you have run out of theories — you have changed the base twice, blamed the client’s nails, and it still happens.

You work too slowly

Three hours per client means you cannot raise your income no matter what you charge.

You leave marks

Rings of file damage near the cuticle, thin spots, uneven side walls — the details clients notice before you do.

Client hands on a clean workstation with a steel instrument tray under a lamp

What changes after this day

  • You remove artificial material with an e-file quickly and without a single cut into the natural nail
  • You diagnose your own mistakes: why it burns, why it takes so long, which bit is wrong for the job
  • You prepare the nail plate so that lifting stops being part of your life
  • You level the plate with base and build a correct apex — the coating holds because the architecture is right
  • You file every classic shape with the file held at the correct angle to the nail
  • You cover with clean side walls and an even cuticle line, and you do it faster than you do today

The programme

Theory in the morning, my demonstration, then you working on models while I correct you. Everything below is what we actually go through — not a wish list.

Nail chemistry and what damages it

Keratin, sulphur and the disulphide bonds that give nails their strength; minerals, vitamins and lipids. What makes a nail brittle, what causes a chemical burn, and how gel coatings and removers interact with the plate. You will be able to explain to a client why her nails are in the state they are in — and be right.

Reading the nail: common changes and their causes

Splitting and brittle nails, transverse and longitudinal ridges, white and black spots, yellowing, pallor, linear pigmentation. Which of these you can work with, which need a doctor, and which are simply the result of somebody’s bad filing.

Instruments: choosing them and using them properly

Scissors — blade shape and length, how to hold them. Pushers — the axe and the spatula, working with the C-curve. Nippers — the heel, the “bird” shape, surgical steel. Keratolytics: alkaline versus acid, pH and speed, urea-based products for allergy-prone hands.

E-file removal without damage

Ceramic and carbide bits, 15–20 thousand rpm, and different hand positions for right- and left-handed masters. Then the diagnostic table I teach everyone: if it burns — soft bit, slow movements, narrow diameter, too much material. If it takes forever — clogged bit, blunt bit, slow movements, too much pressure. Once you know this, you stop guessing.

Filing the shape correctly

The square: file at 90° to the plate, and what happens at 110° or below 90°. Shape control across all ten fingers so they match.

Preparation and levelling

Buffing at 180–220 grit, degreasing, dehydration, acid or acid-free primer — and when each is appropriate. Then the levelling technique: thin first layer, forming the volume, the extra drop, turning the finger down so gravity builds the apex for you.

Coating and the causes of lifting

Hook it, pull it, smooth it — and never press on the brush. The even line, the growth point, why you do not cover the corner zones. Then all six causes of lifting: wrong preparation, pterygium residue, dust, poor buffing, too much keratolytic, material flooding the side walls.

How the day is built

09:30

Theory — with the diagnostic tables you will use for the rest of your career.

11:00

I demonstrate the full technique once, explaining every movement.

11:30

First model. I stand over your shoulder and correct as you go.

15:30

Second model, and we work specifically on what went wrong in the first.

The timetable ends at 19:30. I have stayed until ten more than once — because a hand finally understood the movement and stopping there would have been a waste.

What is included

  • Theory materials and the diagnostic tables I teach from
  • Two models arranged for you
  • All consumables and professional products
  • My support after the course while you rebuild your workflow
  • A personal certificate of completion

About the certificate

You will get a certificate — but it confirms skill, not attendance. I am demanding, and I will make you redo work until it is right. In exchange I give you as much time as it takes.

A certificate anyone receives for turning up is worth nothing. Mine means an eight-time national champion watched you work and agreed you are ready.

Questions I get asked

I have been working for years. Will there be anything new for me?

In my experience, yes — usually in the explanations rather than the steps. Masters with ten years of practice regularly tell me that the lifting section alone changed how they work.

Do I bring my own instruments?

Your cutting and piercing instruments — nippers, scissors, pusher — yes, for hygiene reasons. Products and consumables I provide.

Can you run this course at my salon?

Yes. From three masters upward I travel to you. Distance is rarely a problem — tell me where you are.

Can I take it one-on-one?

Yes, and it is often the fastest option. It costs the same as the course for three students.

What language?

Ukrainian, which Russian-speaking masters follow easily. Polish or English on request with an interpreter, paid separately.

Ready to fix your classic?

Write to me, tell me what is going wrong in your work right now, and I will tell you honestly whether this course solves it.